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Submissions from 2012

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Confidence, the Image of the Writer, and Digital Literacies: Exploring Writing Self-Efficacy in the College Classroom, Maggie Bracey

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Reading Ineffability and Realizing Tragedy in Stuart Moulthrop's Victory Garden, Michael E. Gray

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Foreclosure and Other Essays, Derick Brandon Strode

Submissions from 2011

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Discourse and Conflict: The President Barak H. Obama Birth Certificate Controversy and the New Media, Timothy Lee Adams

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(Don't) Stop Playing That Game: A Rhetorical Analysis of the Video Game Addiction Stereotype, Chet Daniel Breaux

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Anglofile, Kaci Carpenter

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Scopophobia, Kristin Eller

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Pedagogy of Graphic Novels, Valarie L. Phelps

Submissions from 2010

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Gritting Teeth: A Memoir of Unhealthy Love, Samantha L. Day

Praise and Blame: The Rhetorical Impact of Nineteenth-Century Conduct Manuasl, Jessica Mattson

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Praise and Blame: The Rhetorical Impact of Nineteenth-Century Conduct Manuals, Jessica Nicole Mattson

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Wordsworth's Decline: Self-editing and Editing the Self, Kenneth E. Morrison

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Grit Line, Kimberly Jo Reynolds

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House of Mirrors, Lindsey Britton Westerfield

Submissions from 2008

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A New Man: Masculine Confusion and Struggle in the Works of Edith Wharton, Gary L. Crump

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The Girls Who Had to Grow Up: Reflections on Motherhood and Dual Identity in Lewis Carroll's Wonderland and J.M. Barrie's Neverland, Theresa Fitzpatrick

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Exploring the New Front of the Culture War: 1984, Oryx and Crake, and Cultural Hegemony, Terry Ryan Hall

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Escaping the Gender Box: An Empirical Study of Anxiety Experienced by English as a Second Language Learners, Alexandra Knapp

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Beyond Boundaries: Embodiment and Selfhood in Hilary Mantel's Novels, Tara Koger

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Paradise Lost and the Medieval Tradition, Justin Lee Mathews

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Love and Low Serotonin, Leslie Parrish

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A Mock Rhetoric: The Use of Satire in First-Year Composition, Michael James Sobiech

Submissions from 2007

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Melville's Missionaries and the Loss of Culture, Wayne Arnold

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Museum-Making in Women's Poetry: How Sylvia Plath and Emily Dickinson Confront the Time of History, Margaret Brown

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Boethian Colorings in Geoffrey Chaucer's Earlier Poetry: The Book of the Duchess, The Parliament of Fowls and The House of Fame, Morgen Lamson

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How to Tell a Story: Mark Twain and the Short Story Genre, Richard Simpson

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Foibles, Follies and Fantastic Occurrences: First-Time Teaching and the Composition Classroom, Susan Swanson

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Voices I Have Heard, Rosemarie Wurth-Grise

Submissions from 2006

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Tempering Steel: Reapproaching the Mythos of Superman, Corey Alderdice

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The Gospel of Cosmopolitanism: Conflict Resolution in Barbara Kingsolver's Fiction, Catherine Altmaier

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A Spectre is Haunting Samuel Clemens: A Marxist Critique of Wealth as Resolution in Mark Twain's Novels, Jeff Carr

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Courtship, Loe, and Marriage in Othello: Shakespeare's Mockery of Courtly Love, Leigh Copas

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Influence and Its Opposite: Presence and Absence in the Work of Harold Bloom, Joshua Henderson

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The Green World of Dystopian Fiction, Martin Hensley

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Shakespeare's Use of the New Testament: Biblical Intertexuality in As You Like It and Romeo and Juliet, Joseph Hurtgen

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Oedipus' Wake: The (Neo-)Masculinization of the Self in Late Twentieth-Century American Women's Memoir, Thomas Johnson

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Self-Discovery Journals in the College Composition Classroom, Heather McAllister

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Masculinity and the Postmodern in American Psycho and Fight Club, Sean McCray

Submissions from 2005

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Melting Beeswax Bodies: The Queen Bee, the Hive, and Identity in Women's Writing, Leigh Johnson

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The Freedom of Flexibility: Lessons from the Child Characters in Flannery O'Connor, Kathryn Matheny

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Buried Alive: Hard Science Fiction Since the Golden Age, Bonny McDonald

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Baptism, Mark Melloan

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The Underground House: A Body Memoir, Aubrey Videtto

Submissions from 2004

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Restlessness, Revision, and Multigenre, Jennifer Bradbury

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Three Furies: The Mythic and the Mundane, Adam Howard Jolly

Submissions from 2003

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Midwife and Mother: Maternal Metaphors in the Composition Classroom, Cynthia Britt

Submissions from 2002

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Life in Water, Peter Carey

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Lady Macbeth and Gertrude: A Study in Gender, Lisa Ferguson

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Passage from Nong Gua, Praichon Intanujit

Submissions from 2000

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"Bound Together . . . By Blood and Soul": Donald Davidson's Strategic Retreat into the Myth of Life in the Old South, Carol Pigg

Submissions from 1999

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Writing the Young Adult Novel: Analysis and Process, Lucinda Boone

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American Journey Toward Female Equality with and Through Adrienne Rich's Works, Shelby Scruggs

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Southern Post-Modernism, Anti-Romanticism and Gender Difference in Flannery O'Connor and Some Other Southern Contemporaries, Ada Skillern

Submissions from 1998

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"Anything Dead Coming Back to Life Hurts": Ghosts and Memory in Hamlet and Beloved, Rebecca Boyd

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Private Voices Teaching Public Values in the Fiction of Harriet Beecher Stowe, Mary Wilkins Freeman, and Sarah Orne Jewett, Angela Gonzalez

Submissions from 1997

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Reflection/Reflected The Construction of Female Subjectivity in Elizabeth Bowen's The Last September and The Death of the Heart, Laura Bartlett

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Computer Technology in Writing Centers: Ways to Increase Their Effectiveness in the Instruction of Freshman English and Intercurricular Studies, Christopher King

Submissions from 1996

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Images of Art: Katherine Mansfield's Use of Line, Color, and Composition in Her Short Stories, Carol Barsky

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One Day, Some Day, Douglas Fisher

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Word and Song: The Paradox of Romanticism, Catherine Ingram

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"In What Particular Thought to Work": Hamlet and Manic-Depression, Lewis Pickett

Submissions from 1995

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Female Characterization in the Novels of Robert Penn Warren: Variations on a Cinderella Theme, Martha Brent

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The Postmodern Improvisor, Paul Caraher

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Birth and After Birth and Painting Churches: Tina Howe's Examination of Love and Savagery in the American Family, Sarah Ennis-Chambers

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A Palette of Unconvential Symbolism: Color Imagery in Three Margaret Atwood Novels, Shannon Martin

Submissions from 1994

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A Study of the Linguistic Semantic and Sociolinguistic Components of the English Modal System, Jeffery Hutcheson

Submissions from 1983

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Some Measures of Ulysses, June Sinclair

Submissions from 1973

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Metodes Meahta in Six Old English Poems, Mary Relihan

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The Low-Status Character in Shakespeare's Comedies, Linda St. Clair

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The Little People of Pea Ridge, David Sutherland

Submissions from 1972

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The Sensuous Order, Faith and Love in the Poetry of Wallace Stevens, Sheila Conway

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Symbolism in the Poetry of William Butler Yeats, Alana White

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Doubt and Faith in Tennyson's Poetry, Martha Wright

Submissions from 1936

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The History of the Early Theatre in Kentucky, Mitchell Clarke

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The Choral Speaking Movement, Chloe Wade