Robert Penn Warren-Cleanth Brooks Award
The Plural of Us: Poetry and Community in Auden and Others,
(From the publishers site)
The Plural of Us is the first book to focus on the poet’s use of the first-person plural voice—poetry’s “we.” Closely exploring the work of W. H. Auden, Bonnie Costello uncovers the trove of thought and feeling carried in this small word. While lyric has long been associated with inwardness and a voice saying “I,” “we” has hardly been noticed, even though it has appeared throughout the history of poetry. Reading for this pronoun in its variety and ambiguity, Costello explores the communal function of poetry—the reasons, risks, and rewards of the first-person plural.
Costello adopts a taxonomic approach to her subject, considering “we” from its most constricted to its fully unbounded forms. She also takes a historical perspective, following Auden’s interest in the full range of “the human pluralities” in a time of particular pressure for and against the collective. Costello offers new readings as she tracks his changing approach to voice in democracy. Examples from many other poets—including Walt Whitman, T. S. Eliot, Elizabeth Bishop, and Wallace Stevens—arise throughout the book, and the final chapter offers a consideration of how contemporary writers find form for what George Oppen called “the meaning of being numerous.”
Connecting insights to philosophy of language and to recent work in concepts of community, The Plural of Us shows how poetry raises vital questions—literary and social—about how we speak of our togetherness.
Princeton University Press
W.H. Auden, togetherness, community, literary criticism
American Literature | Arts and Humanities | Critical and Cultural Studies | Nonfiction | Poetry | Syntax
Costello, Bonnie, "The Plural of Us: Poetry and Community in Auden and Others," (2017). Robert Penn Warren-Cleanth Brooks Award. 24.
(about the author)
Bonnie Costello is William Fairfield Warren Distinguished Professor and professor of English at Boston University. Her many books include Marianne Moore: Imaginary Possessions, Elizabeth Bishop: Questions of Mastery, Shifting Ground: Reinventing Landscape in Modern American Poetry, and Planets on Tables: Poetry, Still Life, and the Turning World. She is general editor of The Selected Letters of Marianne Moore, and coeditor of Auden at Work.