Voices From The Margin is a musicul interpretation of the experience of domestic violence, from a victim's perspective (as related to tho composer over many hours, by, victim of domestic violence). The four movements include seelions that depict 1) the initial abuse, 2) the denial process, 3) attempts to break free from the perpetrator, and the extended period of healing. The movements are most effective when played together, but each movement can stand on its own.
Compton, Williams, "Voices From The Margin" (1998). Mahurin Honors College Capstone Experience/Thesis Projects. Paper 176.