Submissions from 2023
The Reality of Bipolar Disorder: A Dance Film to Bring Awareness to the Misconceptions of Mental Health, Julia Woolums
Submissions from 2021
Effective Community Engagement Programs in Contemporary Concert Dance Companies, Emily Caldwell
Examining Audience Receptivity to Theatre Across Various Technological Mediums, Chingyi "AC" Chan
Maiden, Martyr, Sinner, and Saint: Performing the Narratives of Joan of Arc, Emma Cox
Cut Song Cabaret: Performing the Replaced, Rewritten, and Recycled Songs of Musical Theatre, Claire Wilson
Submissions from 2020
Listening Back: A Podcast About Encouraging Social Change Through Theatre of the Past, Madison Rose
Tap for the Times: A Study of Contemporary Tap Dance, Elise Wilham
The Secret Houses: A Study in Theatrical Translation from Spanish to English, Rebecca Willenbrink
Submissions from 2019
Storytelling in Contemporary Ballet, Abbey Lutts
Transcendence: An Elegy to Transgenerational Systematic Adaptation, Nicholas Struck
She's the Jazz: An Exploration of Dance and Society in the Age of the Flapper, Jillian Terry
Submissions from 2018
Women on the Floor: A Study of Feminism in Modern Dance History, Hannah McCarthy
Submissions from 2017
Applying Social Media Marketing Content Strategies from the Entertainment Field to Professional Dance, Lindsay Lambert
Letters to Mei Lanfang, Alexandra Dare Norman
Submissions from 2015
Backwards in High Heels: Examining the Careers and Artistic Contributions of Fred Astaire’s Female Dance Partners, Fiona Mowbray
Fusion of Art Forms across the World: An Examination of Contemporary Dance Improvisation in England and America, Jade Primicias
Submissions from 2013
Artistic Anatomy: Utilizing Dancer's Individual Physicality within the Choreographic Process, Erin E. Finn
Submissions from 2012
The Production of Choreography Influenced by Works of George Balanchine, Tiffany Guy
Rhythm of My Sole, Jessica Williams
Submissions from 2011
A Turn of the Century Lady, Grace Delahanty
Lessons From Gilead: Producing a Student-Directed Musical at Western Kentucky University, Stephen G. Tabor
Submissions from 2010
The Changes in Irish Dance Since Riverdance, Angelika Masero
Forum Theatre Empowering Students to Speak, Act, and Know, Kaitlen M. Osburn
Submissions from 2009
Vietnamese Water Puppet Theatre: A Look Through The Ages, Derek Gaboriault
Submissions from 2007
A Deeper Look Into the World of Costuming, Laura Mae Franzini
A Clean, Well-Lighted Place, Jennifer Pickett